Thursday, 18 February 2016

Little Roy - Tribal War Live & Direct at #YouTube



‪#‎Original‬ ‪#‎Foundation
Little Roy - Tribal War Live & Direct at #YouTube
Little Roy, born Earl Lowe in Kingston, was the first artist to top the Jamaican chart with an overtly Rasta tune – Bongo Nyah – in 1969. His songs have been versioned repeatedly through the dancehall era – his Tribal War was even used on Nas and Damian Marley’s Distant Relatives album – but he has yet to crash the mainstream himself.
Roy appeared on both Fatty’s albums and, with hindsight, it’s easy to see why Mr Pelanconi chose him for this project. In addition to his obvious talents his voice has a similar grain to that of Kurt Cobain.
His bleak life and lyrics aside, Cobain’s songwriting gave an uplifting quality to Nirvana’s music. And this quality translates perfectly to a series of sprightly vintage rhythms played by Ruff Cutt band's Bubblers, The Wailers’ Junior Marvin, Fatty mainstay Horseman and Leroy ‘Mafia’ Heywood – a central force behind Roy’s excellent previous album, Heat. The arrangements, though actually by Mutant Hi-Fi, are classic Fatty: swirling organs, softly parping horns, and Ark-era Lee Perry-style backing vocals.

Many Thanks to Earl 'Little Roy' Lowe & Bo Mac also my Production Team.
Respect in every Aspect.
‪#‎Document‬ & ‪#‎Preserve‬ ‪#‎Reggae‬ ‪#‎Culture‬
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https://www.youtube.com/watch?v=757rDbjJ0Gk

Wednesday, 17 February 2016

Little Roy - Prophecy Live & Direct at #YouTube



#‎original‬ ‪#‎originator‬
Little Roy - Prophecy Live & Direct at ‪#‎YouTube‬
Little Roy, born Earl Lowe in Kingston, was the first artist to top the Jamaican chart with an overtly Rasta tune – Bongo Nyah – in 1969. His songs have been versioned repeatedly through the dancehall era – his Tribal War was even used on Nas and Damian Marley’s Distant Relatives album – but he has yet to crash the mainstream himself.
Roy appeared on both Fatty’s albums and, with hindsight, it’s easy to see why Mr Pelanconi chose him for this project. In addition to his obvious talents his voice has a similar grain to that of Kurt Cobain.
His bleak life and lyrics aside, Cobain’s songwriting gave an uplifting quality to Nirvana’s music. And this quality translates perfectly to a series of sprightly vintage rhythms played by Ruff Cutt band's Bubblers, The Wailers’ Junior Marvin, Fatty mainstay Horseman and Leroy ‘Mafia’ Heywood – a central force behind Roy’s excellent previous album, Heat. The arrangements, though actually by Mutant Hi-Fi, are classic Fatty: swirling organs, softly parping horns, and Ark-era Lee Perry-style backing vocals.
Many Thanks to Earl 'Little Roy' Lowe & Bo Mac also my Production Team.
Respect in every Aspect.
‪#‎Document‬ & ‪#‎Preserve‬ ‪#‎Reggae‬ ‪#‎Culture‬
For more quality vibes ‪#‎Subscribe‬ to our channel 

Tuesday, 16 February 2016

Asher Senator - Music Life Live & Direct at #YouTube



Asher Senator - Music Life Live & Direct at #YouTube

He started deejaying at the age of 14 at house parties and then on the Buchanan Sound System along with his sparring partner Smiley Culture. Together they went on to deejay on sounds such as Black Harmony and Frontline before joining Coxsone Outernational and most famously Saxon Studio International in the early to mid 80's.
Asher Senators inspiration as a deejay came from deejays such as Brigadier Jerry and Nicodemus who they often heard through sound tapes. His first single was »Abbreviation Qualification« b/w »Fast Style Origination« released on Fashion in 1984. It was voiced and mixed at the A-Class Dub Studio that was located underDub Vendor at Lavender Hill. »Fast Style Origination« told the tale of the Fast Chat style originated by fellow Saxon deejay Peter King.
#Document & #Preserve #Reggae #Culture
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Peter King - Neat me Sweet Live & Direct at #YouTube



Peter King - Neat me Sweet Live & Direct at #YouTube 

Peter King started deejaying in 1982 and was soon a regular on Saxon Sound System. In 1982 he originated what came to be the fast chat style, showcasing it on his record »Me Neat, Me Sweet« (1984). This style of deejaying was an English, groundbreaking and new way of deejaying that soon (with the help of Papa Levi) came to rule even the charts of Jamaica.
#Document & #Preserve #Reggae #Culture
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Tuesday, 2 February 2016

Dawn Penn - A Love I can See Live & Direct at #YouTube



Dawn Penn - A Love I can See Live & Direct at #YouTube
Dawn Penn is a Grammy nominated of the original queens of reggae music. First female reggae artist to perform at the BET Awards and a native of Kingston, Jamaica, she grew up in a musical family, studying piano, classical violin and performing with her sisters in churches.
Dawn Penn's earliest recordings were composed and written by her around 1966 using session musicians. In 1967, she recorded the rocksteady single "You Don't Love Me", produced by Coxsone Dodd at Studio One. She also recorded "Why Did You Leave" at Studio One, "Broke My Heart" for Bunny Lee, "I Let You Go Boy" and covers of "To Sir with Love" and "Here Comes the Sun". Dawn had also recorded for singer and producer Prince Buster early in her career with songs like "Long Day, Short Night", "Blue Yes Blue" and "Here's the Key". By 1970, Penn had left the music industry and had moved to the Virgin Islands. However, she faced racism there, and in 1987, she returned to Jamaica and to music.

General Levy - Exclusive Interview at #YouTube



General Levy - Exclusive Interview at #YouTube

General Levy is an English ragga deejay, regularly employed on studio tracks by drum and bass DJs. He is best known for the track "Incredible" which he recorded with M-Beat. A remixed version of this reached number 8 in the UK Singles Chart in 1994.
General Levy's first major releases were with the independent record label, Fashion Records, who signed a distribution deal with London Records for the re-releases of the tracks he had recorded. He had earlier releases with the record producers Lloydy Crucial and Robbo Ranx (later of BBC 1xtra), but these were mainly tracks that were hits on the underground dancehall scene. General Levy was ostracized by the UK jungle scene in 1994, due to comments he made relating to his collaboration with M-Beat on "Incredible".

Friday, 29 January 2016

Dawn Penn - No No No Live & Direct at #YouTube



Dawn Penn - No No No Live & Direct at ‪#‎YouTube‬
Dawn Penn is a Grammy nominated of the #original queens of reggae music. First female reggae artist to perform at the BET Awards and a native of Kingston, Jamaica, she grew up in a musical family, studying piano, classical violin and performing with her sisters in churches.
Dawn Penn's earliest recordings were composed and written by her around 1966 using session musicians. In 1967, she recorded the rocksteady single "You Don't Love Me", produced by Coxsone Dodd at Studio One. She also recorded "Why Did You Leave" at Studio One, "Broke My Heart" for Bunny Lee, "I Let You Go Boy" and covers of "To Sir with Love" and "Here Comes the Sun". Dawn had also recorded for singer and producer Prince Buster early in her career with songs like "Long Day, Short Night", "Blue Yes Blue" and "Here's the Key". By 1970, Penn had left the music industry and had moved to the Virgin Islands. However, she faced racism there, and in 1987, she returned to Jamaica and to music.
‪#‎onlinemusic‬ ‪#‎reggae‬ ‪#‎music‬ #‎YouTubespacelondon‬ ‪#‎musicvideo‬
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Sunday, 17 January 2016

DVD Saxon at Hackney Downs August 1984 pt1



DVD Saxon at Hackney Downs August 1984 pt1 
Saxon Sound System was started in 1976 in Lewisham, South East london by Dennis Rowe, Lloyd Saxon and Musclehead. Originally called Imperial Rockers they changed the name to saxon in 1978. By the early 80's due in no small part to their highly talented MC's and singers such as Tippa Irie, Smiley Culture, Peter King, Papa Levi, Maxi Priest, Daddy Colonel and Sandy they were the most popular Sound System in the UK. The selectors on the sound were Muscle Head, Trevor Sax, Mini Muscle, Henry Prento and Micky Boops. 
‪#‎SoundSystemCulture‬ ‪#‎onlinemusic‬ ‪#‎reggae‬ ‪#‎music‬ ‪#‎YouTube‬ 
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1st World cup Sound Clash 1993



1st World cup Sound Clash 1993
On Friday 28th March 1993 History was made when world Promotion & Bagga John's Surespin Promotion presented the 1st ever World Sound Cup Clash. The clash featured four of the roughest sounds in the world all battling for the coveted World Sound Clash Cup.

This featured from England and the UK cup holder, SAXON, also the people championship SIR COXSONE, from NY America's number one, AFRIQUE. And from Jamaica the 1992 cup winner BODY GUARD.

This event saw the largest ever turn out in the UIK ever for a Dancehall Sound System. Relive the moments that changed history.

‪#‎SoundSystemCulture‬ ‪#‎onlinemusic‬ ‪#‎reggae‬ ‪#‎music‬ ‪#‎YouTube‬
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