Live & Direct @ Buzwakk Studios Brixton ft Bucky Jo, Errol Dunkley, Robe...

Live & Direct @ Buzwakk Studios Brixton ft Bucky Jo, Errol Dunkley, Robert Lee, Christopher Ellis

Errol Dunkley
One of reggae's early performers, Errol Dunkley bridged the roots music of Jamaica, in the 1960s, and London's Brit-reggae scene of the ‘70s. His biggest hit, a remake of John Holt's "OK Fred", which barely missed the UK top ten in 1978, was re-recorded, as a duet with Queen Sister *N*, in 1996.

Eleven years old when he made his recording debut, Dunkley went on to work with many of Jamaica's greatest producers. His debut 1964 recording, "My Queen", was produced by Prince Buster, while Joe Gibbs oversaw the recording of his first hit, You're Gonna Need Me", in 1967. Although he recorded several tunes for Clement "Coxsone" Dodd's Studio One and Bunny Lee, none became a hit. He fared much better with "Three In One", produced by Rupie Edwards, in 1969, and dancehall anthem, "Black Cinderella", produced by Jimmy Rodway, in 1972. His first album, Presenting Errol Dunkley, followed shortly afterwards.

BUCKY JO a young progressive and determined (C.E.O/ PRODUCER/ ARTIST) @ BUZWAKK RECORDS started in the music industry at a tender age of ten singing at church and also adapting skill’s as a player of instruments. From a young age playing Dad's large collection of records from a toddler and loving sound systems, BUCKY JO formed his own sound system (BLACKHAWK INT) at fifteen playing throughout London and the UK with many top sound’s from all over the world. At the age of sixteen he was introduced to the studio field while voicing dub plates at local Recording studio’s and it’s there he went on to be schooled by top engineers working in the UK. BUCKY JO quickly progressed in this field and went on to build his own Recording studio.
In 2008 BUCKY JO teamed up with RENK (Manager @ STRENT2STRENT) on their very progressive production’s (STRENT2STRENT PRODUCTIONS) and also BUCKY JO's own BUZWAKK PRODUCTION, which consists of Dj's, Singer's such as REAL AFRICAN & QUEENY and also Players of instruments. He has also gone on to teaching & Mentoring young and talented artist's around him and worked with many top Artist’s & Musicians in UK and around the world such as: GYPTIAN, JUNIOR CAT, MR EASY, HARRY TODDLER, JUNIOR REID, ERROL DUNKLEY, ROBERT LEE, JAH MASON, JIMMY LONDON, BUNNY LIE LIE, GAPPY

Christopher Ellis was born the youngest male progeny to “The Godfather of Jamaican Rocksteady”, the late ALTON ELLIS. Talented in his own right, the soulful 28 year-old Roots Reggae, R&B crooner has been astounding audiences with his incredibly natural, smooth vocal stylings since the age of 11. The Jamaica Gleaner notes, “His look and sound closely mirror those of his dad, he has beyond a doubt inherited the soulful vocals of his father.”

Born on March 12, 1982 in London , England , CHRISTOPHER ELLIS frequently performed with his legendary father on world tours, leaving lasting impressions on international audiences across the globe, including in the territories of : Jamaica, New York City , Italy , Germany , London, Spain and Canada , to name but a few. But, it wasn’t until the fledgling songbird was about 14 years old that he started to realize how groundbreaking his father’s legacy was, what his father meant to the country of Jamaica and the enormous influence that his father had on the development of the reggae and dancehall music genres.


Christopher Ellis was born the youngest male progeny to “The Godfather of Jamaican Rocksteady”, the late ALTON ELLIS. Talented in his own right, the soulful 28 year-old Roots Reggae, R&B crooner has been astounding audiences with his incredibly natural, smooth vocal stylings since the age of 11. The Jamaica Gleaner notes, “His look and sound closely mirror those of his dad, he has beyond a doubt inherited the soulful vocals of his father.”

CHRISTOPHER ELLIS frequently performed with his legendary father on world tours, leaving lasting impressions on international audiences across the globe, including in the territories of : Jamaica, New York City , Italy , Germany , London, Spain and Canada , to name but a few. But, it wasn’t until the fledgling songbird was about 14 years old that he started to realize how groundbreaking his father’s legacy was, what his father meant to the country of Jamaica and the enormous influence that his father had on the development of the reggae and dancehall music genres.

Robert Lee was also one of the in-demand singers at Jammys because of his characteristically 'out of key' singing style. Here the King Tubby produced 'Tempo' rhythm was rearranged by Jammys and Robert Lee calmly liberate his flow with his aggressive lyrical expression to create another killer song.


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