I produce artists videos as well as physically going out in search of new talent. I am offering the chance to be filmed at YouTube studios for artists, Dj's and sound systems to be interviewed and show case your talent and have a in depth interview. Further to this we are also we are investing in young people by taking on trainees to learn skills in broadcasting's, cinematographer, video editing and sound.
Nuff respect in every aspect.
Earl 'Little Roy' Lowe Celebrating 50 years of when he started in the business. This Exclusive content contains Little Roy at YouTube talking about his amazing musical career.
Little Roy, born Earl Lowe in Kingston, was the first artist to top the Jamaican chart with an overtly Rasta tune – Bongo Nyah – in 1969. His songs have been versioned repeatedly through the dancehall era – his Tribal War was even used on Nas and Damian Marley’s Distant Relatives album – but he has yet to crash the mainstream himself.
Roy appeared on both Fatty’s albums and, with hindsight, it’s easy to see why Mr Pelanconi chose him for this project. In addition to his obvious talents his voice has a similar grain to that of Kurt Cobain.
His bleak life and lyrics aside, Cobain’s songwriting gave an uplifting quality to Nirvana’s music. And this quality translates perfectly to a series of sprightly vintage rhythms played by Ruff Cutt band's Bubblers, The Wailers’ Junior Marvin, Fatty mainstay Horseman and Leroy ‘Mafia’ Heywood – a central force behind Roy’s excellent previous album, Heat. The arrangements, though actually by Mutant Hi-Fi, are classic Fatty: swirling organs, softly parping horns, and Ark-era Lee Perry-style backing vocals.
Many Thanks to Earl 'Little Roy' Lowe & Bo Mac also my Production Team.
Little Roy, born Earl Lowe in Kingston, was the first artist to top the Jamaican chart with an overtly Rasta tune – Bongo Nyah – in 1969. His songs have been versioned repeatedly through the dancehall era – his Tribal War was even used on Nas and Damian Marley’s Distant Relatives album – but he has yet to crash the mainstream himself.
Roy appeared on both Fatty’s albums and, with hindsight, it’s easy to see why Mr Pelanconi chose him for this project. In addition to his obvious talents his voice has a similar grain to that of Kurt Cobain.
His bleak life and lyrics aside, Cobain’s songwriting gave an uplifting quality to Nirvana’s music. And this quality translates perfectly to a series of sprightly vintage rhythms played by Ruff Cutt band's Bubblers, The Wailers’ Junior Marvin, Fatty mainstay Horseman and Leroy ‘Mafia’ Heywood – a central force behind Roy’s excellent previous album, Heat. The arrangements, though actually by Mutant Hi-Fi, are classic Fatty: swirling organs, softly parping horns, and Ark-era Lee Perry-style backing vocals.
Asher Senator - Music Life Live & Direct at #YouTube
He started deejaying at the age of 14 at house parties and then on the Buchanan Sound System along with his sparring partner Smiley Culture. Together they went on to deejay on sounds such as Black Harmony and Frontline before joining Coxsone Outernational and most famously Saxon Studio International in the early to mid 80's.
Asher Senators inspiration as a deejay came from deejays such as Brigadier Jerry and Nicodemus who they often heard through sound tapes. His first single was »Abbreviation Qualification« b/w »Fast Style Origination« released on Fashion in 1984. It was voiced and mixed at the A-Class Dub Studio that was located underDub Vendor at Lavender Hill. »Fast Style Origination« told the tale of the Fast Chat style originated by fellow Saxon deejay Peter King.
#Document & #Preserve #Reggae #Culture
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Peter King - Neat me Sweet Live & Direct at #YouTube
Peter King started deejaying in 1982 and was soon a regular on Saxon Sound System. In 1982 he originated what came to be the fast chat style, showcasing it on his record »Me Neat, Me Sweet« (1984). This style of deejaying was an English, groundbreaking and new way of deejaying that soon (with the help of Papa Levi) came to rule even the charts of Jamaica.
#Document & #Preserve #Reggae #Culture
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Dawn Penn Exclusive Interview at #YouTube Dawn Penn shares her musical history in this exclusive interview at YouTube studios. #Document & #Preserve#Reggae#Culture
Dawn Penn - A Love I can See Live & Direct at #YouTube Dawn Penn is a Grammy nominated of the original queens of reggae music. First female reggae artist to perform at the BET Awards and a native of Kingston, Jamaica, she grew up in a musical family, studying piano, classical violin and performing with her sisters in churches. Dawn Penn's earliest recordings were composed and written by her around 1966 using session musicians. In 1967, she recorded the rocksteady single "You Don't Love Me", produced by Coxsone Dodd at Studio One. She also recorded "Why Did You Leave" at Studio One, "Broke My Heart" for Bunny Lee, "I Let You Go Boy" and covers of "To Sir with Love" and "Here Comes the Sun". Dawn had also recorded for singer and producer Prince Buster early in her career with songs like "Long Day, Short Night", "Blue Yes Blue" and "Here's the Key". By 1970, Penn had left the music industry and had moved to the Virgin Islands. However, she faced racism there, and in 1987, she returned to Jamaica and to music.
General Levy is an English ragga deejay, regularly employed on studio tracks by drum and bass DJs. He is best known for the track "Incredible" which he recorded with M-Beat. A remixed version of this reached number 8 in the UK Singles Chart in 1994. General Levy's first major releases were with the independent record label, Fashion Records, who signed a distribution deal with London Records for the re-releases of the tracks he had recorded. He had earlier releases with the record producers Lloydy Crucial and Robbo Ranx (later of BBC 1xtra), but these were mainly tracks that were hits on the underground dancehall scene. General Levy was ostracized by the UK jungle scene in 1994, due to comments he made relating to his collaboration with M-Beat on "Incredible".
