Exclusive Conqueror Sound System ft Seanie T & Hya P

Exclusive Conqueror Sound System ft Seanie T & Hya P



Don Sinclair Reggae Vibes collaborated with Mr Basey and the Conquerer Sound System with Seanie T & Hya P to bring some positive vibes and a little upliftment to the people of London during the Covid-19 lockdown in the UK.

Official Foundation Reggae: Jack Ruby ft Brigadier Jerry, General Trees,...

Jack Ruby Anniversary ft Brigadier Jerry, General Trees, Early B, Tiger, Josey Wales, Slim Brown 🎼 🔥

Jack Ruby, was a Jamaican record producer and sound system operator, best known for his 1970s productions of artists such as Burning Spear.
Ruby was based in Ocho Rios and during his time was the only major Jamaican record producer not headquartered in Kingston. He ran the Jack Ruby Hi Fi sound system and is considered one of the best roots reggae producers of the 1970s, having established a distinctive sound, noted for the unique use of horn arrangements. Ruby produced Burning Spear's Marcus Garvey and Man in the Hills albums, both of which were licensed to Island Records, establishing Spear as an international success. Other artists that he produced include Justin Hinds (Just in Time/Jezebel),The Gaylads, The Heptones, and Big Youth.
Ruby appeared as himself in the film Rockers, which also features Kiddus I recording "Graduation in Zion" in Ruby's studio.
In the 1980s he suffered from ill-health and his productions were less regular, although he produced the debut album by Foundation in 1988.

Downbeat The Ruler Tony Screw Live & Direct in Full Effect In London 201...

Downbeat The Ruler Tony Screw Live & Direct in Full Effect In London 2018 🎼🔥

Since the early 70’s, Tony Screw, a.k.a. Downbeat the Ruler, has been entertaining and educating crowds, from Brooklyn to Berlin, with his inimitable blend of stage presence, exclusive dubplates and a second sense for keeping a dance floor packed. Named in honor of Tony Screw’s musical mentor Sir Coxsone Dodd, Downbeat the Ruler Sound has introduced generations of reggae fans to the sounds of Studio One, the blueprint of Jamaican music.

For those who really don't know the history of Down Beat "The Ruler" here is the bio... New York City, home to a sizeable population of Jamaican emigrants, maintained a relatively low profile in the reggae world until the 1980's. Then, the music's transition from roots to dancehall was accompanied by explosive growth in New York's local reggae scene. In the Jamaican tradition, this scene was centered around locally-run sound systems, and of these, the sound now known as Downbeat the Ruler (originally called Downbeat International) has proved to be the most enduring. Founded in the seventies by selector Tony Screw, Downbeat rapidly became not only a regional force, but one that could compete with the strongest sounds from Jamaica. In the "rub-a-dub" era of the 1980's, sound systems were as much a showcase for live performances as they were for records, and Downbeat ensured its success by regularly featuring the best of Jamaica's microphone talent. Brigadier Jerry of Jah Love Muzik was a frequent visitor, and other top artists like Josey Wales, Charlie Chaplin, Super Cat, Shabba Ranks, Lone Ranger, Nicodemus, Early B, Jim Brown, Johnny Osbourne, Ninjaman, Papa San, Lieutenant Stitchie, Professor Nuts, Wolfman, Peter Metro, Ricky Sterio, Colin Roach, Major Mackerel, Michigan and Smiley, and more came to New York to perform for the sound. In addition to hosting these Jamaican performers, Downbeat provided exposure for New York's local artists, some of whom went on to achieve worldwide recognition. The core of the Downbeat crew included Shinehead, Louie Ranking, Sister Carol, and Santa Ranking, and other locals like Mikey Jarrett, Burru Banton, Alton Irie, Reverend Badoo, Verdi Green, Neville Valentine, and Brimstone would occasionally appear as well.

Exclusive Rub A Dub Camp ft Tinga Stewart & more

Exclusive Rub A Dub Camp ft Tinga Stewart & more



Tinga Stewart (born Neville Stewart in 1959 in Kingston, Jamaica) is holding strong as a purveyor of dancehall reggae. He started recording in the late '60s; his first recording was "She's Gone" in 1969 but the release of "Hear That Train" with Ernest Wilson, who was a member of the Claredonians, really got the ball rolling. The pairing with Wilson was spur of the moment as Stewart also led a group (the Wildcats) that performed in Kingston's hotels and clubs. From that, he joined Byron Lee & the Dragonaires and gigged all over Jamaica with the popular group. Though reggae-rooted, Stewart was popular with tourists because of his love for American pop hits, especially soul music. A stint with Boris Gardner Happening Band was his last group venture before going solo in 1973, when he enjoyed a local hit with "Funny Feeling." In 1974, he won the Jamaica Festival Song Competition by singing "Play de Music," written by Ernie Smith. Roman Stewart -- his brother -- won the contest the following year with a song Stewart and Willie Lindo wrote, entitled "Hooray Festival."



Stewart was voted the Most Popular Artist in Jamaica in 1981. That same year, his recording of "Nuh Weh Nuh Betts Dan Yard" won him acclaim outside of his homeland. He recorded his first albums and underwent a style change by teaming with Jamaica's most popular DJs and for a long list of dancehall hits. Stewart's rendition of "Take Time to Know Her," soared to number one worldwide and kept the legend hopping. His dancehall hits assault continued with Ninjaman; the pair recorded a slew of old Drifters' songs, and others, dancehall style. He got paid in 1994 with "Inside My Heart," written by his old friend Willie Lindo, and scored again in 1998 with "Whiter Shade of Pale" and "After All Is Said and Done."



Long from gigging only in Jamaica, Stewart spreads his love (he rarely does social or political songs) all over the world. He's in double digits as far as albums recorded and has an astonishing 200 singles to his credit.



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Official Dancehall Reggae: Travellers Sound System ft Ninja Man & Genera...

Official Dancehall Reggae: Travellers Sound System ft Ninja Man & General B 1990s



Ninjaman, alias Don Gorgon, (born Desmond John Ballentine on January 20, 1966, in Annotto Bay, Jamaica) is a popular dancehall deejay, known for his controversial and pro-gun lyrics and his stuttering and melodramatic style. Ninjaman is currently in jail awaiting trial for a murder that was commited in Kingston, Jamaica.



After moving from his birthplace Annotto Bay to Kingston at the age of 11, he launched his deejay career with the Black Culture Sound System at age 12 as "Double Ugly". In 1980, he joined Killamanjaro, there got the chance to learn from established deejays Super Cat and Early B, and released his debut single as "Uglyman". Yet another name change made him the now well known Ninjaman. In 1987, Ninjaman recorded - and produced himself - his first hit single "Protection", a duet with Courtney Melody. The following years brought many prolific collaborations with producers like King Jammy, Witty, Xterminator, Philip "Fatis" Burrell, Redman, Ini Kamoze, Bobby Digital, Augustus "Gussie" Clarke, and Steely & Clevie and Henry "Junjo" Lawes. It has been said that Ninjaman comes up with all of his lyrics on the spot in the recording studio, in a freestyle manner.



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Reggae Falls Travel & Tours - Jamaica ���� ️Reopen 2020

Reggae Falls Travel & Tours - Jamaica 🇯🇲 ️Reopen 2020
We're ready to start travelling again. Are you? Get the best that Jamaica has to offer: 5-star hotels, delicious food, entertainment, attractions, nightlife, warm and friendly people and so much more!
Visit www.reggaefalls.com to find out more on where to go and what to do in Jamaica.

Sir Lloyd Coxsone Speaks Out On Dubplate Specials [UNCUT] 2020

Sir Lloyd Coxsone Speaks Out On Dubplate Specials [UNCUT] 2020

Lloyd Blackwood better known as Sir Lloyd Coxsone is an influential figure in the growth of the UK reggae scene, Lloyd Coxsone left his home in Morant Bay, Jamaica, and arrived in the UK in 1962, settling in south-west London and setting up his first sound system, Lloyd The Matador. This venture floundered due to inexperience and Coxsone joined the UK-based Duke Reid sound, but he eventually left in 1969, taking some of that operation’s personnel with him. He went on to form his own sound system, adopting the name of the biggest sound in Jamaica at the time, and also, pointedly, the main rival to Jamaica’s Duke Reid, Sir Coxsone. Coxsone sound soon gained a strong following that eventually led to his residency at the famous London nightclub the Roaring Twenties, in Carnaby Street. Throughout the 70s Sir Coxsone Sound’s success lay with maintaining the sound to rigorous standards, playing the most exclusive dub plates direct from Jamaica, and keeping abreast of trends within the music. Rather than specializing in one particular style, Coxsone Sound offered music for all tastes.

Coxsone, like other sound men, also expanded into the record business, licensing music from Jamaica at first, then trying his hand at his own productions using local UK artists. In 1975 he enjoyed huge success, and kickstarted the UK lovers rock phenomenon in the process, with his production of ‘Caught You In A Lie’ - originally a US soul hit by Robert Parker - featuring the vocal talents of 14-year-old south London schoolgirl Louisa Mark. That same year he issued one of the best dub albums of the era, King Of The Dub Rock, which featured dubwise versions of his own productions and those of Gussie Clarke, mixed in part at King Tubby’s. Other notable records appeared on his Tribesman and Lloyd Coxsone Outernational labels and elsewhere during the late 70s and early 80s, including Fabian’s Jack Ruby -produced ‘Prophecy’, ‘Love And Only Love’ and ‘Voice Of The Poor’ by Fred Locks. Others included ‘Stormy Night’ and ‘Homeward Bound’ by the Creation Steppers, a version of the Commodores’ ‘Easy’ by Jimmy Lindsay (many of which are available on 12 The Hard Way) and many more. During the mid-80s Coxsone handed control of his sound over to the younger elements in his team, notably Blacker Dread, and a new breed of DJs. Blacker released his own productions by the likes of Fred Locks, Frankie Paul, Mikey General, Sugar Minott, Michael Palmer, Don Carlos, Earl Sixteen and Coxsone DJ, Jah Screechy. Recently, as interest in the roots music of the 70s has increased, Coxsone has emerged from his semi-retirement to stand again at the controls of his sound.


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Stereo Mars Sound System ft Nicodemus, Super Cat, Cutty Ranks, Burro Ban...

Stereo Mars Sound System ft Nicodemus, Super Cat, Cutty Ranks, Burro Banton, Tenor Saw pt3

Tenor Saw (born Clive Bright, 1966, Kingston, Jamaica) is best-known for his 1985 hit "Ring the Alarm," a song based on the then-ubiquitous "Stalag 17" rhythm which proved to be one of the biggest -- and catchiest -- hits to come out of reggae's transition into the electronic age. Tenor Saw followed it up with Fever, an LP that -- while it didn't contain his signature song -- proved to be a minor classic of early dancehall, full of simple, catchy melodies, synthesized rhythm-section parts, and Tenor Saw's floating vocals. (The CD reissue of Fever also appended dub versions of most of the original tracks.) With such a promising start to his career, it seemed Tenor Saw would be around for quite a long time; sadly, his life was cut short in August 1988, when he was hit by a car in Houston, TX, and killed. The album Wake the Town was released posthumously in 1992.


The nickname Buro has been with him from his schooldays and Banton was the title given to a lyrics champion. His early influences included Dillinger, Trinity, U. Brown and Ranking Trevor. He would frequent dances where his heroes performed and emulate their gestures and phrasings, which eventually evolved into his own presentation. In 1976, persuaded by his friends, he made his debut as a DJ at the renowned Skateland discotheque in Kingston when he entered a talent contest. Banton began his career in earnest on the Roots Unlimited sound system alongside Josey Wales. His success led to him becoming the resident DJ for the Gemini sound system, which resulted in his association with Henry ‘Junjo’ Lawes’ Volcano sound. Performing alongside Peter Metro, Little John, Billy Boyo and Ranking Toyan, the sound clashed with People’s Choice, where Banton battled with his old sparring partner, Josey Wales. Volcano won the contest and shortly after the event Wales joined the Volcano posse. In the early 80s, Banton’s distinctive voice, which sounded similar to Prince Jazzbo, had only been heard on yard tapes.

Nicodemus came to notoriety as a DJ in the late 70s/early 80s performing on the Socialist Roots sound system alongside selector Danny Dread. In 1978 King Jammy (then Prince Jammy) gave his name to the Tapetown sound, which flourished when Nicodemus joined the crew. He delivered his chantings in a style similar to Prince Far I and Prince Jazzbo. He recorded a number of hits, including memorable work with the Roots Radics and notable sessions at Channel One Studio. In 1980 Nicodemus released a combination tune with Ranking Trevor, ‘Jamaican Rockers Hop’, announcing his arrival. He enjoyed a string of hits in 1981, including the adjoining hits ‘Gunman Connection’ and ‘Bone Connection’. The DJ Clash, with Ranking Toyan, which was issued with a voting card, featured the exceptional ‘Hail Nico Dread’, ‘Bubble Nicodemus Bubble’ and ‘Tubby’s Daddy’. Nicodemus was the featured DJ on Bingi Bunny’s ‘Him A Natty Dread’, which introduced his idiosyncratic style to a wider audience. His reputation was further enhanced by the equally popular combination hits with Linval Thompson (‘Holding On To My Girlfriend’) and Leroy Sibbles (‘Rock Steady Party’)

Super Cat was born William Maragh in a ghetto section of Kingston known as Cockburn Pen or Seivright Gardens (the same area that produced DJ stars like U-Roy and Prince Jazzbo). Interested in music from a very young age, Maragh was touring Jamaica with various sound system organizations by the time he was a teenager. His first DJ name, Cat-a-Rock, was eventually switched to Super Cat due to the former's resemblance to the word "cataract"; he also earned a secondary nickname, the Wild Apache. Super Cat made his recording debut in 1981 with the single "Mr. Walker," recorded for the Techniques label and produced by Winston Riley. A succession of singles for various labels followed, as did his debut album Si Boops Deh, which appeared on Techniques in 1985. Settling for a short time on the Skengdon label, Super Cat recorded another album, Boops, but soon grew dissatisfied enough with the business aspect of recording to start his own label, Wild Apache Productions.

Cutty Ranks (born Philip Thomas) is a former butcher that became one of the first to pose an actual challenge to the dominance in the ragga world to Shabba Ranks. A representative of the sound system genre in the early '80s, he joined with Donovan Germain's Penthouse label in 1990, with a stone voice sound, much like Shabba's, running over the "gun talk and slackness" common to this era of ragga. Ranks also makes use of relatively lesser used beats to set himself apart from the other DJs on the scene. The two major albums to look for are The Stopper (Fashion) and Lethal Weapon (Penthouse), both of which showcase his skills decently.


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Horace Martin - A Rise Black People Live & Direct at YouTube

Horace Martin - A Rise Black People Live & Direct at YouTube

Horace Martin was an underrated singer who released a large number of recordings but received little recognition. He began his recording career in 1980 with Robert Palmer’s Negus Roots, releasing ‘Zuggy Zuggy’ and ‘Sweet Something’, while with the fiercely unconstrained Big Ben label he released ‘Africa Is Calling’, ‘We Are All One’, ‘Beautiful Dream’ and ‘Jah Jah Children’. Throughout the 80s he maintained a high profile as a singles artist, although he was unable to achieve crossover success. In 1985 his fortunes changed when he recorded ‘War’, produced by veteran DJ Jah Thomas over the legendary Stalag rhythm. The song led to sessions with Prince Huntley, whose print shop Modernize Printery led to the formation of his Modernize Music and Greedy Puppy labels. Huntley had recorded ‘Pressure In A Babylon’ but found greater success as a producer. Martin recorded a succession of hits for Huntley, including ‘Na Fry No Fat’, ‘Sonia’ and ‘Mi Rule’. The popularity of Patrick Andy’s ‘Sting Me A Sting’ led Martin to respond with ‘Shock Me A Shock’. In 1987 he recorded for Harold McLarty the hit ‘Type Of Loving’, which featured the fledgling DJ skills of Tiger, supported by the Riddim Kings Band. The release gave Martin the wider exposure he deserved, although this was overshadowed by the unprecedented demand for the newly acclaimed DJ. Martin followed his hit with the less successful ‘Can’t Get Used To Losing You’, which heralded a return to anonymity.

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Stone Love Sound System ft Bounty Killer vs Beenie Man 1993

Stone Love Sound System ft Bounty Killer vs Beenie Man 1993
Rodney Basil Price, 12 June 1972, Riverton City, Jamaica, West Indies. Coming from a dancehall background, his father ran the Black Scorpio Sound System, and it was not long before he picked up the microphone himself. He soon became known performing on other sound systems, including Stereo Two and Metromedia. His first recording session was in the spring of 1992 at King Jammy’s studio when he sang ‘Watch The Gun’, produced by Uncle T. After singing a number of other rhythms, Uncle T’s brother King Jammy recognized Bounty Killer’s potential and ‘Fat And Sexy’ was the resulting hit. Many ragga hits related to guns and Bounty Killer’s contribution to the list is considerable: ‘New Gun’, ‘Cop A Shot’, ‘Kill Fe Fun’ and ‘New Gun Gal Say Yes’. The flurry of gun-related hits continued unabashed and in 1993 the inevitable clash took place with his main rival, Beenie Man. In 1994, Killer recorded a number of singles that moved the subject matter away from guns, including, with Chuck Turner, ‘Run Around Girl’ and ‘Roots Reality And Culture’. His big hit ‘Down In The Ghetto’ described how guns and drugs reached the ghettos sanctioned by corrupt government officials: ‘Down in the ghetto where the gun have a ting - and the politician is the guns them a bring - hey - and the crack and the coke them a support the killing - me check it out the whole a dem ah the same ting’. The singer also contributed to tracks by Colin Roach (‘I’ll Be Back’) and Junior Reid (‘This World’s Too Haunted’). He also appeared on ‘No, No, No (World A Respect)’ by seasoned Studio One performer Dawn Penn, alongside fellow veterans Dennis Brown and Ken Boothe.

Bounty Killer’s growing popularity resulted in a prominent UK tour, and in the spring of 1995 his single with Sanchez, ‘Searching’, enjoyed a long stay on the reggae chart. He continued to record many hits throughout 1995, including ‘Book Book’, ‘Cellular Phone’, ‘Smoke The Herb’, ‘Mama’, ‘No Argument’ and ‘Fear No Evil’. By the end of 1995 the continuing feud with Beenie Man was resolved through RJR’s disc jockey Richard Burgess, who invited the two to the station where a truce was announced. In the summer of 1996 Bounty Killer’s inimitable style enhanced the dancehall mix of the Fugees’ chart-busting version of Roberta Flack’s ‘Killing Me Softly’. During the same year he released My Xperience, a sprawling double album featuring guest appearances from US stars including the Fugees, Raekwon and Busta Rhymes.

One of Jamaica's biggest exports, Beenie Man's recording career stretches back to 1981, although it was in the sound systems where he later made his mark. The witty toaster began his true ascent to stardom in the early '90s, and by 1994, his reputation couldn't be beat. Beenie Man was born Moses Davis in the tough Waterhouse district of Kingston, Jamaica, on August 22, 1973. By the time he was ready for school, the toddler had already decided on a career as a DJ. He wasn't the first tot with dreams of the limelight, but Beenie actually had a true gift for gab. His shot at stardom came when he was only eight, when he took first prize at the national Teeny Talent contest. This led to a meeting with producer Junjo Lawes, who recorded the diminutive DJ's debut single, "Too Fancy." Bunny Lee then took the boy under his wing and put him to work at his Unlimited sound system.

Junjo Presents Two Big SoundBy 1983, the youngster found himself appearing on Lawes' Junjo Presents Two Big Sound, which was recorded live and featured such DJ heavyweights as Dillinger and Fathead. Along with Unlimited, Beenie was also DJ'ing at Prince Jammy's Volcano sound system, had a hit single to his credit, "Over the Sea," produced by Niney Holness, and even had a debut album out. Produced by Lee, The Invincible Beenie Man, the 10 Year Old DJ Wonder's title pretty much summed it all up. He recorded some songs with Barrington Levy in 1984, two of which, "Under Mi Sensi" and "Two Sounds," would resurface in remixed form later in the '90s. But for the moment, his recording career came virtually to a close, bar the occasional single. But the young DJ remained a sound system favorite, even as he now turned his attention to his schoolwork.
Guns OutNot surprisingly, Beenie's younger brother, Little Kirk, was keen to follow in his footsteps, and five years later the siblings hooked up with producer Patrick Roberts and began recording a series of singles that quickly brought them into the national spotlight. In 1992, Beenie appeared at Reggae Sunsplash and such was the response that the DJ now felt ready to take on the big guns. Beenie's first target was the acclaimed Bounty Killer, although the young DJ had cause for his attack as the veteran had stolen his catch phrase, "people dead," and the war was on.


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The Official Unique & Exclusive Culture T-Shirts �� �� ��

The Official Unique & Exclusive Culture T-Shirts 👕 🛒 🌎

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Get Your Summer T-Shirts Now 🛒 With a Wide choice of Colours & Designs to Choose From & Worldwide Shipping 🌎

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Killamanjaro Sound System ft Super Cat, Ninja Man, Beenie Man, Leroy Gib...

Killamanjaro Sound System ft Super Cat, Ninja Man, Beenie Man, Leroy Gibbons & many more 🔥🎼 1996

Born of Indian descent, Super Cat was raised in Kingston’s tough Seivright Gardens neighborhood, then known as Cockburn Pen. "Super Cat was born home delivery," as he tells it, "and I never, ever reached the low-spital (sic)." Cockburn Pen was a hotbed of dancehall reggae and home to ground-breaking deejays like Prince Jazzbo and U-Roy. As a child, Super Cat heard the latest songs by these veterans blasting from local record shops. By the time he was eight years old, he was hanging out at a local club called Bamboo Lawn, assisting the crew of the Soul Imperial sound system and absorbing the dancehall rhymes of deejays like Dillinger, Ranking Trevor and Early B The Doctor.

Super Cat, a.k.a. Don Dada, a.k.a. the Wild Apache, came roaring out of Jamaica in the 1980s, blazing a new trail through the dancehall reggae scene with hits like "Ghetto Red Hot," "Nuff Man A Dead," "Boops," and "Dolly My Baby." One of the first Jamaican deejays to break through the U.S. market, Maragh helped pioneer the fusion of dancehall with Hip Hop and R&B, now known as reggae fusion, collaborating with then-rising stars like Puff Daddy, Heavy D, Mary J. Blige, Wu-Tang Clan’s Method Man, Kris Kross and DJ Muggs from Cypress Hill. Outspoken in his attitude on politics, sex, drugs, and violence, Cat’s talk is tough, his message is conscious and positive, a cry for justice that rings from the ghettos of Kingston, Jamaica, Port of Spain, Trinidad, New York City, South Central Los Angeles, inner city Toronto and around the world.

Ninjaman, alias Don Gorgon, (born Desmond John Ballentine on January 20, 1966, in Annotto Bay, Jamaica)

In ancient Japanese culture, a ninja is a highly trained assassin, who specializes in using undetected tactics in the art of slaughter. In modern Dancehall culture, Ninjaman is the original lyrical terror, known for using his razor-sharp wit; slow, steady, calculated delivery; and mastery of the art of rhyme and rhythm to musically slaughter any and all who cross his path.

For over twenty years, Desmond “Ninjaman” Ballentine has stood out as one of the most candid, colorful, and controversial of all of Jamaica’s Dancehall deejays, with the skill, performance, and lifestyle to earn the apt title “The Don Gorgon” or most respected of the Dancehall fraternity.

Beginning with his first single “Protection,” recorded with Reggae singer Courtney Melody in 1986 under the moniker Uglyman, Ninja’s distinct lyrical pattern and smoothly wicked delivery was easily recognizable among the ranking deejays of the mid to late 80’s. A slew of singles followed with “Cover Me,” a romantic duet with Reggae singer Tinga Stewart, becoming his first bonafied hit in 1988. However, Ninja’s greatest acclaim would come at the turn of the decade, when he became the initiator of the “badman era” of 90’s Dancehall, with the release of the highly acclaimed “gunman” anthems “Murder Dem,” “My Weapon,” “Champion,” and “Permit to Bury.”

It would be Ninja’s over-the-top stage performances that cemented his place as the “original gold teet, front teet, gun pon teet don gorgon.” The theatrics, politics, charisma, intensity, and bravado that he brings to the live arena married with his ingenius on-the-spot lyrics has made him not only the most respected, but the most feared lyrical stage opponent among other artists. Revered Dancehall lyricists Super Cat, Bounty Killer, Beenie Man, and Vybz Kartel are among the lengthy list of Ninja’s lyrical conquests.

Moses Davis, better known by his stage moniker Beenie Man was born in the tough Waterhouse district of Kingston, Jamaica on August 22, 1973. He is noted as one of Jamaica’s most innovative artist, whose recording career dates back to 1981. At the age of eight, he took first prize at the national Tastee Talent contest which would lead to TV/radio appearances and recording contracts.

His career gained momentum after a performance at the Reggae Sunsplash festival in 1992, and a rivalry with Bounty Killer began the following year after Beenie Man was accused of stealing Bounty Killer’s style and catch phrases. The rivalry was captured on the 1994 album Guns Out, with the two artists settling the feud during a soundclash.

Beenie Man had his first number one single in Jamaica in 1993 with “Matie”, and won the DJ of the Year Award the same year, the first of eight consecutive awards. In 1994, he was signed by Island Records and released the critically acclaimed album Blessed, which was his fifth studio album and featured an array of hits, including the dancehall smash “Slam.” “Slam” peaked at number 33 on the Billboard Hot Rap Singles chart.

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The Official Marcus Mosiah Garvey, Jr Full Story

The Official Marcus Mosiah Garvey, Jr Full Story

Marcus Mosiah Garvey, Jr., ONH (17 August 1887 – 10 June 1940), was a Jamaican political leader, publisher, journalist, entrepreneur, and orator who was a proponent of the Pan-Africanism movement, to which end he founded the Universal Negro Improvement Association and African Communities League (UNIA-ACL). He also founded the Black Star Line, a shipping and passenger line which promoted the return of the African diaspora to their ancestral lands.

Prior to the 20th century, leaders such as Prince Hall, Martin Delany, Edward Wilmot Blyden, and Henry Highland Garnet advocated the involvement of the African diaspora in African affairs. Garvey was unique in advancing a Pan-African philosophy to inspire a global mass movement and economic empowerment focusing on Africa known as Garveyism. Promoted by the UNIA as a movement of African Redemption, Garveyism would eventually inspire others, ranging from the Nation of Islam to the Rastafari movement (some sects of which proclaim Garvey as a prophet).

Garveyism intended persons of African ancestry in the diaspora to "redeem" the nations of Africa and for the European colonial powers to leave the continent. His essential ideas about Africa were stated in an editorial in the Negro World entitled "African Fundamentalism", where he wrote: "Our union must know no clime, boundary, or nationality… to let us hold together under all climes and in every country…

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Exclusive Buzwakk Quarantine Showcase ft Bucky Jo, Leroy Gibbons, Errol ...

Exclusive Buzwakk Quarantine Showcase ft Bucky Jo, Leroy Gibbons, Errol Dunkley, Fyah Mawi,

Chardel Rhoden, Christopher Ellis, Papa Levi, Allan Brando & Jah Will,Vybz Klassic, Jnr, Istan,

Ras Ranger, Blaq Cocnaq, Soul Roots & Nyoka Ebony, Corporation, Bushalocious, Richie Ranking

Big up ya self BJ Bucky Jo & all the artists and selectors also the host's War report & all the Buswakk family.

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https://youtu.be/8U-bzGNjBBw